On the Road
The so-called Beat Generation was a whole bunch of people, of all different nationalities, who came to the conclusion that society sucked. -- Amiri Baraka
But yet, but yet, woe, woe unto those who think that the Beat Generation means crime, delinquency, immorality, amorality ... woe unto those who attack it on the grounds that they simply don’t understand history and the yearning of human souls ... woe in fact unto those who those who make evil movies about the Beat Generation where innocent housewives are raped by beatniks! ... woe unto those who spit on the Beat Generation, the wind’ll blow it back. -- Jack Kerouac
Three writers does not a generation make. -- Gregory Corso
Nobody knows whether we were catalysts or invented something, or just the froth riding on a wave of its own. We were all three, I suppose. -- Allen Ginsberg
The Beat Generation is a term used to describe both a group of American writers who came to prominence in the late 1950s and early 1960s, and the cultural phenomena that they wrote about and inspired (later sometimes called "beatniks"): a rejection of mainstream American values, experimentation with drugs and alternate forms of sexuality, and an interest in Eastern spirtuality.
The Beat Generation
The major works of Beat writing are Allen Ginsberg's Howl (1956), William S. Burroughs's Naked Lunch (1959) and Jack Kerouac's On the Road (1957). Both Howl and Naked Lunch were the focus of obscenity trials that ultimately helped to liberalize what could be published in the United States. On the Road transformed Kerouac's friend Neal Cassady into a youth-culture hero. The members of the Beat Generation quickly developed a reputation as new bohemian hedonists, who celebrated non-conformity and spontaneous creativity.

The original "Beat Generation" writers met in New York. Later, the central figures (with the exception of Burroughs) ended up together in San Francisco in the mid-1950s where they met and became friends with figures associated with the San Francisco Renaissance. During the 1960s, the rapidly expanding Beat culture underwent a transformation: the Beat Generation gave way to The Sixties Counterculture, which was accompanied by a shift in public terminology from "beatnik" to "hippie".
Here the documentary "The Beat Generation"
The Beat Generation (Part 1)
The Beat Generation (Part 2)
The press often used the term "Beat Generation" in reference to a small group of writers, the friends of Ginsberg, Kerouac, Burroughs and sometimes Corso. A slightly wider definition would expand it to include other members of the "New York Beats", but still regard the San Francisco Renaissance and the Black Mountain poets as separate movements.
Corso, Ginsberg, and Burroughs – The "inner circle" of the Beats

Defined more broadly, the "Beat" category would include all of these sub-groups, and many other writers who reached prominence in the late 1950s, early 1960s, who shared many of the same themes, ideas, and intentions (dedication to spontaneity, open-form composition, subjectivity, and so on); even though some of these might have little social connection with the core group, and many might deny that they were ever a part of the "Beat Generation".
The main figures and early writers of the Beats were Jack Kerouac, William S. Burroughs, Allen Ginsberg, Neal Cassady, Gregory Corso, Herbert Huncke, Peter Orlovsky, and John Clellon Holmes. Certain poets the core Beats encountered in San Francisco were associated with the San Francisco Renaissance such as Gary Snyder, Philip Whalen, Lew Welch, Lawrence Ferlinghetti, Harold Norse, Kirby Doyle, Michael McClure. The poets associated with the Black Mountain College were also associated with the Beat Generation, such as Robert Creeley, Denise Levertov, Robert Duncan (though Duncan was one of the most vocal early critics of the "Beat Generation" label). As well, there were the New York School poets such as Frank O'Hara, Kenneth Koch; surrealist poets Philip Lamantia and Ted Joans; and, poets who are occasionally called the "second wave" of the Beat Generation such as LeRoi Jones/Amiri Baraka, Diane DiPrima, Anne Waldman.
Other people associated with the Beats include Bob Kaufman, Tuli Kupferberg, Ed Sanders, Hubert Selby, Jr., John Wieners, Jack Micheline, A. D. Winans, Ray Bremser and Bonnie Bremser/Brenda Frazer, Ed Dorn, Jack Spicer, David Meltzer, Richard Brautigan, Lenore Kandel. Many previously underappreciated female writers were part of the Beat scene, such as Joanne Kyger, Kaye McDonough, Harriet Sohmers Zwerling, Janine Pommy Vega, Elise Cowen. A few younger writers who were acquaintances of the aforementioned writers (such as Bob Dylan, Ken Kesey, Jim Carroll, Ron Padgett) are occasionally included in this list. Charles Bukowski has a tenuous place on this list since his association is slight. Several older writers were very closely associated with members of the "Beat Generation", though their reputations were solidified so much earlier that it is difficult to call them part of the same "generation." They include Kenneth Rexroth, the principal figure involved in the San Francisco Renaissance, and Charles Olson, the mentor to the Black Mountain poets and author of the highly influential essay "Projective Verse". Also, so many of these writers either studied personally with William Carlos Williams or looked up to Williams as an idol, that Beat writers are often seen as being the children of Williams.
Just some found footage:
Kerouac, Ginsberg & friends in New York
Jack Kerouac Reads from "On The Road"
Jack Kerouac - (read by Johnny Depp)
Amiri Baraka (Leroi Jones): Evolution of a Revolutionary Poet
People:
Keith Barnes (1934-1969) (Official Page)
Richard Brautigan
Charles Bukowski (1920-1994)
William S. Burroughs (1914-1997)
Jim Carroll
Neal Cassady (1926-1968)
Gregory Corso (1930-2001)
Diane Di Prima (1934-)
Diane Di Prima (1934-) (Official Page)
William Everson (1912-1994)
Lawrence Ferlinghetti (1919-)
Allen Ginsberg (1926-1997)
Michael Horovitz (Official Page)
Herbert Huncke (1915-1996)
Lisa Jarnot (1967-)
Bob Kaufman (1925-1986)
Larry Keenan - Photographer of the Beats
Jack Kerouac (1922-1969)
Philip Lamantia (1927-)
James Laughlin (1914-1997)
Denise Levertov (1923-1997)
Michael McClure (1932-)
Michael McClure (1932-) (Official Page)
Peter Orlovsky
Kenneth Patchen (1911-1972)
Harry Redl - Photographer (Official Page)
Kenneth Rexroth (1905-1982)
Gary Snyder (1930-)
Carl Solomon (1928-)
Anne Waldman (1945-)
Philip Whalen (1923-2002)
A Cultural Chronology of Early Beat Generation
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1944
Broadway: Harvey, I Remember Mama
Films: Double Indemnity, Gaslight
Music: Swing is in vogue - Benny
Goodman, Glenn Miller, Woody Herman, Tommy Dorsey
Art: Edward Hopper, Clyfford Still
Fiction: John Hershey's A Bell for Adano
Poetry: Pulitzer to Karl Shapiro's V-
Letter
and Other Poems
European Surrealists in New York City during the war meet with American artists
and writers.
1945
Broadway: Tennessee Williams' The Glass Menagerie and He Touched
Me
Films: The Lost Weekend, Mildred Pierce, The Body Snatcher
Music: Be-Bop jazz evolves with Dizzy Gillespie and Charlie Parker.
1946
Broadway: O'Neil's The Iceman Cometh, Hellman's Another Part of the
Forest, and Born Yesterday
Poetry: Pulitzer to Robert Lowell's Lord Weary's Castle
1947
Broadway: Tennessee Williams' A Streetcar Named Desire
Film: Gentleman's Agreement Miracle on 34th Street
Music: Top jazz performances by Benny Goodman and Duke Ellington Band, Nat King
Cole, Frank Sinatra
Fiction: Schulberg's The Harder They Fall, Michener's Tales of the
South Pacific
Poetry: Pulitzer Prize to W.H. Auden's Age of Anxiety.
1948
Broadway: Mr. Roberts, Anne of the Thousand Days
Films: The Red Shoes, Key Largo, Sorry, Wrong Number
Televison: Popular programs: "Douglas Edwards and the News,"
"Candid Camera," "Arthur Godfrey's Talent Scouts," "Milton Berle
Show," "Studio One,"
Music: Stan Kenton appears at Hollywood Bowl
Art: Andrew Wyeth, Ben Shahn, Arshile Gorky
Fiction-The Plague by Albert Camus, The Naked and the Dead by Norman Mailer.
1949
Broadway: Death of a Salesman by Arthur Miller
Films: Pinky, Home of the Brave, Sands of Iwo Jima
Television: "The Goldbergs," "Captain Video and the Video Rangers" "Mama"
Music: "Cool Jazz" of Mile Davis, Jerry Mulligan, Dave Brubeck; Billie Eckstine
is popular singer
Fiction: Nelson Algren's The Man with the Golden Arm, George Orwell's
1984
1950
Broadway: Come Back, Little Sheba, The Cocktail Party
Films: All about Eve, The Asphalt Jungle Sunset Boulevard
Television: "You Bet Your Life"(Groucho Marx), "Your Hit Parade"
Music: Big Bands giving way to smaller groups-George Shearing, Count Basie.
Fiction: Faulkner's Collected Stories, Bradbury's The Martian
Chronicles
1951
Broadway: The Rose Tattoo, The Moon Is Blue
Films: An American in Paris, A Place in the Sun
Television: "Your Show of Shows" with Sid Caesar and Imogene Coca; Kefauver
crime hearings.
Music: Jazz figures: Charlie Parker, Sonny Rollins, Maynard Ferguson
Fiction: J.D. Salinger's The Catcher in the Rye.
1952
Films: High Noon, Viva Zapata!, Come Back, Little Sheba;first
Cinemascope and Cinerama films
Television: "The Jackie Gleason Show," "Ernie Kovacs Show"
Music: Louis Armstrong tours Europe with his All Stars
1953
Broadway: The Crucible, Picnic, Camino Real
Films: From Here to Eternity, The Big Heat
Music: Vocalists-Ella
Fitzgerald, Nat "King" Cole, Four Freshmen
Fiction: James Baldwin's Go Tell It on the Mountain, Saul Bellows'
The Adventures of Augie March
Poetry: Pulitzer to Theodore Roethke for The Waking; books by Richard
Eberhart, May Sarton
The Yage Letters.
1954
Broadway: The Bad Seed, Witness for the Prosecution,
Films: On the Waterfront, The Caine Mutiny, The Wild One
Fiction: Golding's Lord of the Flies
Television: Army-McCarthy hearings, "Davey Crockett" episodes on "Disneyland" program; "I Love Lucy"
Radio: Popular disc jockey Alan Freed coins term for new music as "rock 'n'
roll"
-
includes
writers Jack Spicer, Richard Brautigan, Bob Kaufman, John Weiners, Bay Area
Poets Coalition; Weldon Kees and Dick Martin organize first SF Poets Follies;
Black Mountain College fosters projective verse through poets Charles Olson,
Robert Creeley, Robert Duncan, Denise Levertov, Paul Blackburn, et al.
1955
Broadway: Cat on a Hot Tin Roof, Bus Stop, The Diary of Anne Frank, A View
from the Bridge
Films: Rebel without a Cause, The Blackboard Jungle, Marty, The Rose
Tattoo
Televison: first presidential press conference is broadcast; "64,000
Question"
Art: "Pop Art" of Robert Rauschenberg, Andy Warhol, et al-Morris Graves,
Jasper Johns, Larry Rivers
Fiction: McCarthy's A Charmed Life, Mailer's The Deer Park
Poetry: Pulitzer to Elizabeth Bishop's Poems: North and South-
-
A Cold Spring
Ginsberg organizes Six Gallery Reading in San Francisco garage-
gallery,
featuring: Rexroth as MC, poets: Philip Lamantia, Michael McClure, Philip
Whalen, Gary Snyder and Ginsberg's own reading of Howl, Kerouac cheering them on (Oct.
13); McClure completes studies at San Francisco State College; Ferlinghetti
launches City Lights Books with Pocket Poets Series: #1, his own Pictures
of a Gone World, #2 Rexroth's 30 Spanish Poems, Patchen's Poems
of Humor and Protest; Kerouac writes Mexico City Blues, befriends
Gary Snyder at Berkeley, who is translating Chinese poetry of Zen poet Han-
Shan;
he and Kerouac go mountain climbing, discuss Buddhism; Kerouac returns briefly
to North Carolina, writes "Jazz of the Beat Generation" for New World
Writing; Corso's The Vestal Lady on Brattle is published with
support of friends at Harvard.
1956
Films: Giant, Lust for Life, The Ten Commandments, Baby Doll, The Seventh
Seal
Art: Georgia O'Keefe and Helen Frankenthaler shows
Fiction: Bellow's Seize the Day, Algren's A Walk on the
Wild Side, Baldwin's Giovanni's Room
1957
Broadway: The Dark at the Top of the Stairs, Compulsion, Look Back in
Anger
Films: The Bridge on the River Kwai, Twelve Angry Men, Peyton
Place, A Face in the Crowd
Televison: Mike Wallace Interviews, "Maverick," "American Bandstand,"
"Gunsmoke"
Art: Picasso exhibit in NY, Chicago, Philadelphia
Fiction: Malamud's The Assistant, Morris's Love among the
Cannibals; Durrell's Justine;
James Agee's A Death in the Family (Pulitzer)
Meditations in an Emergency poems published by Grove; Poetry-and-Jazz
scene begins in San Francisco with Rexroth and Ferlinghetti performing at The
Cellar, Kenneth Patchen and Chamber Jazz Sextet at The Blackhawk; Evergreen
Review editors Barney Rossett and Donald Allen do special focus on Beats in
"San Francisco Poets" Vol. 2
1958
Broadway: MacLeish's J.B., O'Neil's A Touch of the Poet,
Films: The Defiant Ones, Some Came Running, The Young Lions
Televison: "Naked City," "Peter Gunn," "The Rifleman"; David Susskind's "Open
End"
Music: Kingston Trio help launch new Folk Music; first Monterey
Jazz Festival; Duke Elington plays Carnegie Hall;
Fiction: Capote's Breakfast at Tiffany's, Barth's The End of the
Road
Yugen and Totem Press; Alan Watts's essay "Beat Zen, Square Zen, and
Zen" appears in Chicago Review.
1959
Films: Room at the Top, Suddenly, Last Summer, On the Beach
Advise and Consent wins Pulitzer;
The Holy Barbarians; Michael McClure's Hymns to St. Geryon
(Auerhahn); McClure directs production of his play The Feast! using
beastial language and performed by Bay area poets and artists; Philip
Lamantia's Ekstasis & Narcotica (Auerhahn); David Meltzer's
Ragas; he and wife Christina are performing with folk music in S.F.;
Ferlinghetti's "Tentative Descripion of a Dinner to Promote the Impeachment of
President Eisenhower" read at Berkeley and receives cool response from some
Beats as too politically involved-Ferlingheti responds with quotes from Sartre on the need for engagement, concludes "Only
the dead are disengaged."
1960
Films: The Apartment, Psycho, Never on a Sunday, Spartacus
Television: Route 66, The Flintstones, Face the Nation, The Bob Newhart
Show
Music: Dave Brubeck's Time Out, John Coltrane's Meditations
Narcotica; writings about the Beats: Rexroth's Bird in the Hand:
Essays; Elias Wilentz's The Beat Scene (Corinth); Thomas Parkinson
prepares A Casebook on the Beat (Crowell); Seymour Krim's The
Beats (Fawcett).
McClure, Michael. Scratching the Beat Surface (San Francisco: North
Point Press, 1982).
The New America Poetry, ed. Donald Allen (N.Y.: Grove, 1960).
The Portable Beat Reader, ed. Ann Charters (N.Y.: Penguin, 1992).